“Days Of Future Past” Went From A Throwaway Story To Reshaping The X-Men Franchise

“Days of Future Past” started as a mere excuse for Uncanny X-Men artist John Byrne to draw some giant killer robots, and it ended up becoming one of the most influential comics ever made. Byrne wanted to do a story starring the Sentinels, but writer Chris Claremont said, “Nah, Sentinels are wimpy,” to which Byrne replied, “No, you write them wimpy.” To prove Claremont wrong, Byrne plotted a story about a possible future where the X-Men have all been murdered by the Sentinels, which were at least considerate enough to place their headstones in a neat sequential line for plot exposition purposes.

Unless they’re buried vertically, those corpses must be pretty cramped down there.

Only Wolverine, Kitty Pryde, and a few others are still alive in the far-out year of 2013, and by the end of the story, even the unkillable canucklehead gets turned into a metallic skeleton. Luckily, a familiar-looking telepathic mutant called Rachel manages to send Kitty’s mind back in time to prevent the assassination that convinces the U.S. government to pour its entire budget into mutant-killing devices. And so, this dark future is prevented … or is it? “Days of Future Past” was so popular that it spawned several grammar-defying sequels, including but not limited to “Days of Future Present” (1991), “Days of Future Tense” (1996), “Days of Future Now” (2005), and “Years of Future Now” (2015).

Two of which star Wolverine because even his corpse sells more comics than 95% of Marvel characters.